Assault and battery Coursework Example | Topics and Well Written Essays - 250 words

Assault and battery - Coursework Example It is clear that contact sports imply random injuries. The difference is that when injuries are the result of deliberate, unfair, unacceptable and excessive use of violence, it becomes assault and/or battery, depending on the result. This is the case of aggressive players. In order to establish the existence of assault, the next test is applied: 1. Intentional, unlawful threat to hurt somebody; 2. The threatened person felt a well motivated fear of imminent attack and 3. The possibility of realizing the threat is undoubtful. A similar test is applied in order to establish battery: 1. The existence of a violent act towards the plaintiff; 2. The defendant willingfully used the violence and 3. The causation: the violent act hurt the plaintiff. Therefore, I believe that the user of a deliberate elbow to the face or a knee to the groin in basketball, the deliberate use of spikes by a runner in baseball, eye gouging in football, or other violence that causes unnecessary injuries in sports can be held liable for assault and/or battery, the key words in all this being deliberate and unnecessary.

river island

river island Biography River Island was introduced by Bernard Lewis in 1948, a family business and it started out as a small shop in Londonwith the trading name of Lewis Separates. There have been many changes to the brand name such as Chelsea girl and Concept Man and not until 1989 its officially became known as RiverIsland today. Between the period of twenty years, from the 1960s to 1980s, Chelsea Girl was a well known high street store and was famous for its long haired girl logo. A group of approximately 45 students from Uxbridge and Middlesex has teamed together with the store to regain its reputation in the name of Chelsea Girl. River Island could considered to be one of the UKs biggest and most successful privately owned high street companies with over 250 stores operating all over the world and is still growing. Moreover, to ensure theirs customer a great, unique and fashionable look, unlike New Look and others high street stores which buy others brand design then altered it, River Island has their own in-house designer. River Island always focus on providing their customer the hottest look, hence, they also concentrate on providing their employees with a good working environment so that they can work efficiently and at their best. River Island stores across the country are always similar in both decoration and layout. In recent years, River Island has changed all of their stores to have a unique and similar layout. The general colour schemes are usually white walls with some emphasis of bright green to create a fresh feeling; the flooring is laid with creamy coffee coloured tiles with black paneling. Bri ght spot lights have also been used to create a posh look. In order to help the customer to feel comfortable and relaxed the stores have been designed to have an open air space which is simple but act as an effective background helping the clothes stand out and also enabling the customer to find their clothes. The layout of River Island is known to be like a walk-in boutique where you have trends that are divided into sections in the shop, which helps customers to know what theyre looking for, i.e. casual, smart or going out. Style River Island is a UKs leading high street brand, providing a big range of stylish clothes, but most importantly, their prices are affordable and the quality is great. River Island design clothes for both men and women at the age range from 16-30. With 250 stores and selling many different types of clothing like jeans, skirts, knit wear, jacket etc†¦ or even accessories such as jewelry or shoes. To â€Å"Get the most out of it† the company also provides online shopping so that it is more convenient for their customers. The design team represents the culture thats around them and thats the culture our customers understand, says Richard Bradbury, River Islands managing director. This year, the brand have reported mega profits, as mentioning this, River Island will have to thank their young team of designers, buyers and in-house stylists. The company‘s general theme for clothes line is usually smart looking, quite often the customer will see that there is a combination between smart-casual. Additional glitter, sequins, diamonds and jewels appear on all types of clothes to add a bit of bling and to meet with the young fashion trend. Moreover, these decorations also appear on purses or handbags so that they are all are matching. One of the company philosophies is focusing on finding new talent and bringing them up to contribute to the new high street trend, collection after collection is required to meet with demand of customers who searching for the new look everyday. In order to do that, every two weeks, Style Challenge is launched by one of our insiders. The themes will be different each time to make sure theres something for everyone. Youthful could consider being the inspiration for each design, but still could suit any age range as long as they are the person who is seeking a celebrity or catwalk style at a cheaper price. River Island always concentrated on the style and the quality. The company clothes are so trendy, chic, young, affordable and of a very high quality. Not only the clothes, but also the stores provide an exciting and fun environment to shop within. The average price of each garment is affordable: Ethical issue RiverIslandis committed to providing a fair deal between the company and their employees. The company has understood that to make an excellent business, it has to build strong relationship with its suppliers, consumers and employees. Corporate Social Responsibility has always been the companys strategy. Ethical Supply Chain At River Island, it works enthusiastically with its suppliers and official agencies around the world to provide a standard health and safety regulation to its employees. The company always ensures that their suppliers sign a contract which commit to World Wide Ethical standards and those who violate them will be prosecuted. To support this policy, the company have ordered the buying and technical teams to visit their factories throughout the year and actively engage in looking out for mistakes, hence, improve it. Today, River Island products are made across the world such as in the European Union, Turkey or India. Although there are many ethical and trading issues happening within fashion industry, River Island believes that through gradual changes, it will manage to solve the problem. According to source, â€Å"In June 2008 RiverIsland became a member of the Ethical Trading Initiative (ETI). Established in 1998 the ETI is a trade union organization and non-governmental organisations committed to working together to identify and promote good practice in the implementation of codes of labour practice.† River Island committed to the adoption and integration of the ETI Base Code into our World Wide Ethical Policy through its supply chain. River Island believes that to be one a ETI member, the company will be able to gain more experience to tackle the related issues within the industry. Environment: Nowadays, being green is one of the main focuss of each individual company. In order to protect the environment, River Island is strictly committed to a number of main key points targeted such as : reducing problems the environment is having, this includes dropping levels of energy consumption (including the use of renewable energy sources) reducing the level of product packaging, increasing the levels of recycling and increasing the use of biodegradable materials. The retail environment of River Island is very edgy, lively and vivid. The staff are committed to provide the customer a high quality service. River Island also believes that making the customer feel happy is its first priority, as customer service is converted into sales in retail. Promotion In recent years, River Island has gained many important titles from its competitor. Top shop has been at the top for years but slowly losing its â€Å"style crown† losing its best shop on the high street title of three years to rival River Island. River Island also won in the best bags and best place to spend GBP50 categories in the Company Magazine. The winners were chosen by more than 6000 people trough the voting system on the â€Å"company.co.uk† website. River Island advertises itself in magazines for having garments, accessories or products that are copied from celebrities or the catwalk. In order to advertise and campaign, River Island has joined forces with Look in autumn 2007 the UKs first glossy high street fashion weekly magazine- to celebrate and introduce its autumn collection .The collection has been styled and photographed by the Look fashion team. More interestingly, River Islands store windows nationwide have also been specially designed by Look to make a connection between the company and the magazine to promote different aspects of the collection. Look publishing director Julie Lavington comments: We are extremely excited to be working with River Island on such a major project. The collaboration exemplifies our brand credentials, and its great that River Island are harnessing the power of Looks reputation as the authority on high street fashion. After all, were driving hundreds of thousands of women in-store every week !† .In order to expand its market sale, River Island has also launched an online marketing with NME.com (a music brand ). In addition, River Island have celebrities such as Pixie Lot and JLS to model its garments which brings fans to shop in River Island. Together with the advertising campaigns, River Island also sponsors Graduate Fashion Week which brings advertising all over the world, for designers and students who would love to start a career in the fashion industry. Fashion Weeks with new designs and colours, serve additionally to promote new concepts. These Fashion Weeks not only display an array of new products, but also serve to communicate with the audience visually. Dresses and accessories worn by models doing catwalks, are more lively and enthralling than the mere display on mannequins. Normally with a range of Fall, Spring, Summer and Winter collection, Fashion Weeks boost market demand and promote its associated businesses as well. In addition, presence in graduate fashion week is the opportunity for their company to have a review from other people who have visited the show. It gives peopl e an idea to what River Island has to offer as a fashion retail store and how they are incorporating designs from students into their clothing range. River Island was one of the retailers which has joined in High street fashion week to show its line up. The event was taking place on Londons Oxford Street from September 7 to September 11. This is a great opportunity to promote the company image. River Island satisfies its customers with trend, quality, design and durability. That is one reason that River Island is, day by day, getting support and demands by its customers. It provides a range of comfortable draper footwear to soothe aching feet of all day long. River Island won the Draper Footwear Award in 2008 while another proof of its excellence emerged when this brand bagged ‘LK Today Fashion High Street Fashion Award for Best Denim. Fashion is not only a phenomenon for luxurious life, but this concept deals with humanity as well. That is why, modern fashion companies are aware for the fact of supporting special people of society with special needs. River Island is responsive towards special people and that is why it supports BDF (Birth Defect Foundation), now known as New Life Foundation Other than the BDF, River Island also helps Heart and Design; an association that combines creativity of fashion communities with heart and lungs treatment. Fashion is not only for healthy people, but it also helps to make ailing people healthy, it supports them in fighting for health. River Island is a well know high street brand that has over 50 years experience on fashion retail, it provides a big range of stylish clothes but most importantly its price are affordable and its products are good quality. The company satisfies its customers with trend, quality, design, global, human, culture and society friendly. At one end it emphasises collective psychology and trends of a society, and at the other end, it deals with the individual needs of customer care. Healthy trends, balanced life, and busy lifestyle are, what the modern fashion companies have to consider deeply. It is no more a matter of looking good and attractive, true fashion and accessories join comfort and trend together.

Art - A Culturally Constructed Myth :: American Culture Essays

Art - A Culturally Constructed Myth The development of semiotics in the 20th century revealed much about ideology in mass culture. Structuralist Roland Barthes' texts on the matter are very much products of their times, yet many still have a troubling modern-day relevance. Barthes' Mythologies demonstrates the possibilty to find meaning through the 'trivia' of everyday life. He claims to want to challenge the 'innoncence' and 'naturalness' of cultural texts and practices, as they are capable of producing a multitude of supplementary meanings, or 'connotations'. Although objects, gestures and practices have a certain utilitarian function, they are not resistant to the imposition of meaning. Barthes wants to suspend consideration of function, and concentrate rather on what things mean and how they function as signs. Mythologies is a study of the ways in which mass culture constructs this mythological reality and encourages conformity to its own values. Barthes' analysis of signs reveals that there are very few 'innoncent' objects, that almost everything is 'coded' (assigned meaning). Barthes arrives at this conclusion based on his theory of myth: that a form (expanded from Saussure's sound-image, which was limited to linguistics) and a concept create mythologies: sign systems that render one dominant meaning (or 'signification'). For the receiver, this signification arrives automatically and smoothly, thus seemingly denying the intentional re-coding. Barthes believes that this constant creation of myth is how a culture invents its beliefs and narratives, and is able to find meaning in the world. This premise draws a particular parallel in our contemporary society: for it is my hypothesis that our culture now locates meaning through mythological art (whether fine, commercial, popular, industrial etc.). Has art truly become myth? In order to 'read' or deconstruct myth, Barthes suggests, one must (1) accept the myth as a cultural construction, thus emptying its meaning; (2) rear the myth as full, identifying all possible signs and significations; and finally (3) recognize the signifier as both empty and full, capable of signifying many things, yet with only one clear, dominant meaning. It is my argument that such a deconstruction can render art as myth. Having realized art as a structured cultural phenomenon, and having emptied its direct and apparent meaning, it is possible to identify all its possible significations. Interestingly enough, I find that art reveals many diametrically opposed significations: expression and oppression, bias and acceptance, individual and society, creativity and confinement, and freedom and convention, among others. Art signifies the de-politicization of our culture, for even the most political of pieces cease to cause a stir among the masses.

Last Judgment

The Last Judgment Michelangelo was one of the greatest artists of all time. He excelled in architecture, sculpture, painting, poetry, and engineering. He was a true Renaissance man who lived a long emotional life. In painting â€Å"The Last Judgment,† Michelangelo was able to incorporate all that he had learned about the human body. He was able to show the way the body moved, as well as its displays of unrestrained passion, overwhelming grief, or endless torment. This is what makes â€Å"The Last Judgment† such a unique and exceptional work of art. The Last Judgment is a canonical fresco by the Italian Renaissance master Michelangelo executed on the altar wall of the Sistine Chapel in Vatican City, Rome, Italy. It is forty-eight feet by forty-four feet masterpiece. The work took four years to complete and was done between 1536 and 1541 (preparation of the altar wall began in 1535. ) Michelangelo began working on it some twenty years after having finished the Sistine Chapel ceiling. Michelangelo returned to the Sistine Chapel as a sixty year old man in 1535 when he was commissioned by Pope Paul III (pontificate 1534 – 1549) to paint the Altar Wall. If his ceiling celebrates the creation of man, his Last Judgement, depicts the end of the world and the judgment that is said to follow. Michelangelo having been commissioned the wall looked for a long time at the big wall he was supposed to paint. He wanted to be sure to avoid some of the problems the ceiling frescoes had given him twenty-five years earlier. The wall had two windows. He had them blocked up so he would have a nice, empty surface. Next he worried about dampness seeping through from outside. That might spoil his painting. He decided not to paint the actual chapel wall but to build a second one of dried bricks in front of it and to leave a space between the two walls for ventilation. And to keep the dust from collecting on it he gave the new wall a slant. It slopes inward as it rises and overhangs at the top about a foot. At first Michelangelo planned to paint with oil paints and he had his helper Sebastiano del Piombo give the whole wall a coat of mortar with resin to seal it. But later he changed his mind and ordered him to chip his primer away. Michelangelo was an experienced fresco painter now and who knows what disagreeable surprises oils might give him. He would stick to fresco and would apply his own layer of sand and lime each day as he went. These preparations took a year. Meanwhile he worked on his characters . He began to paint in June 1536. It is said that Michelangelo fell off the scaffolding once when he was alone in the chapel. Though he was badly hurt he dragged himself home and crawled into bed in great pain. He refused to let anyone see him and wouldn’t open the door when they knocked. Finally, one of his friends, a doctor made his way up by a secret way from room to room until he found Buonarroti, who was in a desperate condition. Then his friend refused to go away or leave his side until he was better. The wall was unveiled on Halloween, 1541. He was 66 years old. It was twenty-nine years since the unveiling of the ceiling frescoes. The great painting scared people. Pope Paul III, who commissioned it, is supposed to have exclaimed when he saw it the first time: â€Å"Lord, please don’t charge me with my sins when you come on Judgment Day! This depiction of the second coming of Christ and the final judgment of humanity is not only a fresco but a beautiful piece of poetry. This painting is a grim reminder to the parishioners as well as the clergy (including the pope) that ultimately they too would be judged at the end of time. This painting depicts Christ surrounded by the saints and angels, judging all the souls of the human race as they rise or descend to heaven and hell where they will stay for all eternity. Most of the saints surrounding Jesus were martyrs and Michelangelo depicted them each holding the weapon or instrument of their martyrdom. The figures seem to swirl around Christ, this was a new way of depicting this scene because the other versions from earlier periods show it in neat horizontal layers. The central figure of Christ is literally judging and determining the fates of all of the human race with his hand raised gesturing to his decision. The emotion coming from the figure of Christ is so powerful that it almost seems like the figure of his mother, Mary, next o him is cower in fear of the whole scene. To the right you see the Archangel Michel reading form the book of souls assisting in the judgment process. Seen all over is figures of the saved rejoicing but you can also see the damned suffering or fearful of their fate like the figure below Christ on the right covering one eye terrified of his terrible fate. There are many elements to this artwork that tell the viewer th at not only Christians will be judged and sent to heaven but people of other religious back grounds will as well, as long as they have lived a moral life. The inclusion of Greek and Roman mythology is the biggest hint to this. Christ in the center surrounded by light shown as beardless and very muscular this is not just an expression of humanism but can be compared to the Greek god Apollo who was the god of the sun. What could be viewed as the reason for this is that Pope Clement VII studied Heliocentric Cosmology by Copernicus. This work stated that the sun was the center of the universe, so by placing Christ in the center of the fresco and mimicking the features of Apollo, Michelangelo places Jesus at the center of our spiritual universe. The boatman Charon from Greek and Roman mythology is also featured in this work at the bottom ferrying the damned souls to hell. Also, Minos from Greek mythology who was son of Zeus and Europa and king of Crete became one of the three judges of the underworld. Minos is seen in the bottom left corner of the work with a serpent coiled around him and this would determine which circle of hell the damned souls would be sent. It is also said that a Cardinal had judged Michelangelo’s work so as a sort of revenge he painted the portrait of the Cardinal as Minos. This could have been his way of poetically stating that only God and Christ can judge this world and if someone attempts to do what only God or Christ can do that there will be a special place in hell for that individual regardless of status within the church, as well as venting is frustration for the Cardinal. Michelangelo did not only provide portraits of individuals who upset him but other central figures of the church as was as himself. The figure on the right holding the a silver key and a gold key is St. Peter with the keys to heaven, this is actually a portrait of Pope Paul III. Also, the flayed skin of St. Bartholomew being held by him is a distorted self portrait of the artist. This continues to send the message that no one is exempt from the last judgment. By including Greek and Roman mythology as well as portraits of current people from the time of the frescos creation really drives the point home that no matter religious background or political status you will be judged fairly. The Last Judgment was a very controversial piece at the time because, unlike other artists, Michelangelo portrayed those in his painting as naked thereby demonstrating the lack of importance that riches would have at the end of the world when humanity stands before judgment. Unlike his earlier work, including the rest of the Chapel which he painted, his depiction of the Last Judgment was much more monochrome as well as gruesome with the souls of the damned cowering in fear as they are dragged down by demons. Pope Paul III, who commissioned Michelangelo to paint the Last Judgment, demonstrated a great deal of faith in the artist's abilities and gave him vast amounts of artistic license. While others criticized Michelangelo's use of nude figures, the Pope offered up no complaint. In addition to the lack of clothes on his subjects, Michelangelo was critiqued for not only using the Bible as an inspiration for his fresco but also mythological creatures such as Charon who is seen ferrying the damned as well as Minos who is shown as one of the judges located in the underworld. The Last Judgment was an object of a heavy dispute between critics within the Catholic Reformation and those who understood the genius of the artist and the mannerist style of the painting. Michelangelo was accused of being insensitive to proper decorum, and of flaunting personal style over appropriate depictions of content. The Council of Trent issued decrees that such representations in sacred art were not allowed, and all objectionable art was to be changed or destroyed. In response to certain accusers, when the Pope's own Master of Ceremonies Biagio da Cesena said of the painting â€Å"it was mostly disgraceful that in so sacred a place there should have been depicted all those nude figures, exposing themselves so shamefully,† and that it was no work for a papal chapel but rather â€Å"for the public baths and taverns,† The worst criticism came from the poet and blackmailer Pietro Aretino, who at first wrote flattering things to Michelangelo from Venice and made suggestions for the painting. Michelangelo answered that though his suggestions were very interesting the fresco was too far along then to be changed. Eight years later Aretino published an open letter to Michelangelo in which he accused him of being irreverent. â€Å"Such things might be painted in a voluptuous bathroom,† he wrote, â€Å"but not in the choir of the highest chapel†¦Our souls are benefitted little by art, but by piety. † Some thought the nudes were out of place. The papal Master of Ceremonies, Biagio da Cesena, said the painting made the chapel look like a stufa d’ ignudi’ (a bathing house). For that remark, which he heard Cesena say, Michelangelo supposedly put his face on Minos, the great judge of Hell, and gave him donkey ears while his nudity is covered by a coiled snake. It is said that when Cesena complained to the Pope, the pontiff joked that his jurisdiction did not extend to hell, so the portrait would have to remain. Although the references to mythology were allowed to remain, the genitalia in the fresco, referred to as ‘objections,' were covered after Michelangelo died by a student of his, Daniele da Volterra. As years followed fresco came very close to being destroyed. More and more clothes were added. In 1574 El Greco himself offered to chip it away and paint a new fresco that would â€Å"be decent and pious and no less well-painted than Michelangelo’s. †Three more times (1625, 1712, and 1762) artists were ordered to â€Å"do something about those nudes†. The critic Thode thought the fresco had been altered so much that it was no longer even possible to judge the artistic qualities of Michelangelo’s work.

Diseased Body in Wuthering Heights Essay

In Wuthering Heights by Emily Bronte it can be viewed that there is â€Å"more suffering caused by a diseased mind than by a diseased body.† The idea of a â€Å"diseased mind† is a mental illness or madness and the â€Å"diseased body† is a physical illness or injury, both of which are displayed by many characters in Wuthering Heights. Heathcliff is a prime example of a character with a â€Å"diseased mind† that causes him suffering. He spends the majority of his life contemplating and acting out revenge towards Hindley and the Lintons because he believes it was their fault Catherine thought it would â€Å"degrade† her to marry Heathcliff, even though she loved him; this is one example of his unstable mind set. In chapter 9 Nelly foreshadows the suffering of Heathcliff by saying â€Å"if you [Catherine] are his choice, he’ll be the most unfortunate creature,† this is because Nelly understands that society wouldn’t accept the pair to marry, therefore Heathcliff will be unfortunately heartbroken. Heathcliff believes that Catherine is a part of him: â€Å"I cannot live without my soul,† he says which highlights that he is suffering without her. It is from this heartbreak and suffering that his â€Å"diseased mind† commenced. Heathcliff’s â€Å"diseased mind† heightens when he asks for Catherine to â€Å"haunt† him when she is dead; haunting is an element of the Gothic genre but the madness of Heathcliff is enhanced when he requests that Catherine drives him â€Å"mad.† The word â€Å"mad† is ambiguous in this quotation because it could be viewed that Heathcliff wants to be haunted until he is angry with Catherine so he can destroy his love for her. An alternative view is that Heathcliff wants to be haunted until he is insane and suffering since he is desperate to see Catherine, this becomes true because after Catherine’s death Heathcliff’s mind is haunted by his love for her. Jerold E. Hogle explains this is accurate because characters in Gothic novels are â€Å"haunted psychologically† and this is accurately shown through the character of Heathcliff. His mind is â€Å"diseased† by his separation from Catherine due to her choice of partner and her death, which causes him and everyone in the novel immense suffering because of his vengeance. Heathcliff’s unconditional love causes Catherine’s â€Å"melancholy† â€Å"mental state† because it is overwhelming and she is in love with him but a  Victorian society wouldn’t accept their relationship because of the Heathcliff’s very low class, which would result in them being â€Å"beggars.† Catherine has â€Å"a peculiar expression arising from her mind set† before she tells Heathcliff â€Å"you have killed me,† this highlights her â€Å"diseased mind† and the suffering it is causing her because she hasn’t died yet but it could be interpreted that she feels as though she has which emphasises her suffering, but also her madness. The â€Å"peculiar expression† that Catherine is described to have could be because she was â€Å"thinking†¦ of Wuthering Heights.† The â€Å"expression† could be interpreted as a smile, which would be â€Å"peculiar† to Nelly because she has been depressed living with Edgar, therefore a smile would be unusual; David Punter explains â€Å"Gothic reminds us we are driven by our passions† and Catherine’s passion is Heathcliff, which would explain her â€Å"expression† when thinking about Wuthering Heights. This idea of Catherine’s thought process in her â€Å"diseased mind† emphasises her pain and suffering because she cannot be without Heathcliff, her â€Å"soul,† yet she is continuously thinking about him, this is essentially what drives her insane. Catherine’s mental suffering is closely linked with her physical suffering which is an example that represents the â€Å"diseased body† in Wuthering Heights. Another character with a â€Å"diseased body† in Wuthering Heights is Isabella, whose â€Å"bruised† body is a valid example of suffering. Heathcliff’s â€Å"diseased mind† causes him to abuse Isabella which leads to her suffering and her injured body

Psc 304 Legislative Politics Essay example

Psc 304 Legislative Politics Essay example Psc 304 Legislative Politics Essay example PSC 304 Chapter 8 1) Who can introduce legislation into the Congress? Answer: only members of Congress can introduce legislation. 2) Who sets the agenda for the House of Representatives? Answer: The Speaker, in consultation with party and committee leaders, the president, and others, largely determines whether, when, how, and in what order bills come up. 3) There are four types of bills, what are their differences? What is an omnibus bill? Answer: Bill-Most legislative proposals before Congress are in a bill form. Public bills deal with general questions and become public laws if approved by Congress and signed by the president. Private bills deal with individual matters they become private laws if approved and signed by the President. Resolution- a simple resolution deals with matters entirely within the prerogatives of one house. It requires neither passage by the other chamber nor approval by the president and does not have the force of law. Concurrent Resolution- must be passed by both houses but does not require the president’s signature and does not have the force of law. Joint Resolution- requires the approval of both houses and the president’s signature, just as a bill does, and has the force of the law. Omnibus Bill- A bill consisting of a number of related but separate parts which seek to amend and/or repeal one or several existing Acts and/or to enact one or several new Acts. 4) What are each of the different calendars used in the House? What type of bills go onto each? Answer: The House of Representatives has five calendars of business: the Union Calendar, the House Calendar, the Private Calendar, the Corrections Calendar, and the Calendar of Motions to Discharge Committees. The calendars are compiled in one publication printed each day the House is in session. This publication also contains a history of Senate-passed bills, House bills reported out of committee, bills on which the House has acted, as well as other useful information. Union Calendar: is a large majority of public bills and resolutions reported to the House. House Calendar: The public bills and resolutions that are not placed on the Union Calendar are referred to the House Calendar. Private Calendar: All private bills reported to the House are placed on the Private Calendar. The Private Calendar is called on the first and third Tuesdays of each month. Corrections Calendar: If a measure pending on either the House or Union Calendar is of a noncontroversial nature, it may be placed on the Corrections Calendar. The Corrections Calendar was created to address specific problems with federal rules, regulations, or court decisions that bipartisan and narrowly targeted bills could expeditiously correct. Calendar of Motions to Discharge Committees: When a majority of the Members of the House sign a motion to discharge a committee from consideration of a public bill or resolution, that motion is referred to the Calendar of Motions to Discharge Committees. 5) What are the various procedures the house uses to expedite minor/ uncontroversial bills? Answer: The House tends to operate on a Monday-to -Thursday schedule, with Mondays reserved primarily for non-controversial legislation considered under shortcut procedures such as suspension of the rules or unanimous consent. Minor/ uncontroversial bills may also be considered under suspension of the rules, which means it does not have to be reported from committee before the full House takes it up. There are also occasions where the minority party will contend that noncontroversial bills that could easily pass by suspension are instead brought up with an open rule- which permits more than forty minutes of debate and allows amendments – granted by the Rules Committee. 6) What happens under Suspension of Rules? Why is this procedure used in the House? Answer: Suspension of the Rules in the United States Congress is the specific set of procedures within the United States Congress

The History of the Phrase Double Coincidence of Wants

The History of the Phrase Double Coincidence of Wants Barter economies rely  on trading partners with mutually beneficial needs to agree to deals. For example, Farmer A might have a productive henhouse but no dairy cow while Farmer B has several dairy cows but no henhouse. The two farmers might agree to a regular swap of so many eggs for so much milk. Economists refer to this as a double coincidence of wants- double because there are two parties and a coincidence of wants because the two parties have mutually beneficial wants that match up perfectly. W.S. Jevons, a 19th-century English economist, coined the term and explained that it is an inherent flaw in bartering:  The first difficulty in barter is to find two persons whose disposable possessions mutually suit each others wants. There may be many people wanting, and many possessing those things wanted; but to allow  of  an act of barter there must be a double coincidence, which will rarely happen. The double coincidence of wants is also sometimes referred to as the dual coincidence of wants. Niche Markets Complicate Trades While it might be relatively easy to find trade partners for staples like milk and eggs, large and complex economies are full of niche products. AmosWEB offers the example of someone who produces artistically designed umbrella stands. The market for such umbrella stands likely is limited, and in order to barter with one of those stands, the artist first needs to find someone who wants one and then hope that the person has something of equal value the artist would be willing to accept in return. Money As a Solution Jevons point is relevant in economics because the institution of fiat money provides a more flexible approach to trade than barter. Fiat money is paper currency assigned value by a government. The United States, for example, recognizes the U.S. dollar as its form of currency, and it is accepted as legal tender throughout the country and even throughout the world. By using money, the need for a double coincidence is eliminated. Sellers need only find someone willing to buy their product, and there no longer is a need for the buyer to be selling precisely what the original seller wants. For example, the artist selling umbrella stands in AmosWEBs example might really need a new set of paintbrushes. By accepting money she no longer is limited to trading her umbrella  stands only to those offering paintbrushes in return. She can use the money she receives from selling an umbrella stand to buy the paintbrushes she needs. Saving Time One of the most significant benefits to using money is that it saves time. Again using the umbrella stand artist as an example, she no longer needs to use her time to find such precisely matched trading partners. She instead can use that time to produce more umbrella stands or other products featuring her designs, thus making her more productive. Time also plays an important role in the value of money, according to economist Arnold Kling. Part of what gives money its value is that its value holds up over time. The umbrella artist, for example, does not immediately need to use the money she earns in order to buy paintbrushes or whatever else it is she may need or want. She can hold onto that money until she needs or wants to spend it, and its value should be substantially the same. Bibliography Jevons, W.S. Money and the Mechanism of Exchange. London: Macmillan, 1875.